Thirteen
Posted by expatriate at 07:24 AM on March 23, 2007.
Today I went to the Louvre and listened to Led Zeppelin I through IV, and then to d'Orsay to listen to some Blue Train and Miles Davis.
Fusion
When I was younger, there was a video that I loved to watch about a young pharoah whose soul was trapped in a museum until he could answer a riddle. Every night he would go and stand before the god Osiris, and if he had the answer to the riddle, he'd be let into the afterworld. The answer had eluded him for centuries.
"Where does today meet yesterday?"
Ultimately, the pharoah figures out the answer to the riddle with a little help from Big Bird, and is let into the afterworld to join his family. The answer that required the deductive skills of a 7 foot tall yellow bird was "in a museum", a literal ironic twist of plot resulting from Big Bird (today) physically meeting an alive pharoah of yesterday.
Aaaaanyways.
Today I reenacted that riddle by dancing around a room of Italian and Spanish antiquities and statues blaring "Heartbreaker" on my iPod, Samuel L. Jackson. I wonder if the anonymous sculptures carving the Virgin and Child 900 years ago thought that one day their art would be seen by somebody who was also absorbing the lyric "squeeze me baby till the juice runs down my leg."
I examine a mummy of a 21 year old woman from 11th century Thebes while listening to "it's been a long time since I've rock and rolled." No shit. As I'm picturing myself as a mummy under scrutiny in some gallery 900 years from now, "Stairway to Heaven" comes on, and I can't help but wonder if Samuel L. Jackson is looking at the mummy from my back pocket, too. I wander over to the death mask of a Roman woman from the 3rd century A.D. and look into her eyes while Robert Plant sings about if there's "a bustle in your hedgerow, don't be alarmed now. It's just a spring clean for a may queen." And I meditate on what this woman's life might have been like. The interaction devolves into a staring contest. She wins.
From the Louvre I walked over the Passerelle Solferino and sat at the apex. I looked out at the Seine wishing that I had someone to call to say "I love you", or a cell phone with which to do that. But then I realized that I don't want to tie this view or this experience to any person but myself. Life has limitless possibilities. A drop of water from the Seine might end up in the North Pole or the Mediterranian Sea. I need to live my life like the water, moving non-stop around the stangnant land.
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Maximilian Luce, Le Louvre et le Pont-Neuf la nuit, éventail 1890-1892

Henri Matisse, Luxe, Calme et Volupté 1904









